Ready to go nuclear with texting?

 

I’m not sure I am ready to start using texts as a promotional medium. But Matt Warner of Flocknote included texting in his lineup of outreach vehicles at the Digital Church Conference I attended today. His main reason is that texts are extremely interruptive. He cited a statistic that texts have a 97% open rate. With young adults, 95% of young adults read their texts within 3-5 minutes. That’s powerful stuff.

Texts get read too. “By the time they decide they aren’t interested, they’ve already read your text,” Matt added.

His point tracks with what I’ve seen. I almost always open my texts immediately. There’s just something about a text that just makes me feel like it’s important and I need to read it now. As it becomes more and more difficult to break through to people via email, texting has me thinking about the possibilities. Image texts? Audio texts? Video texts? Combine this with a 97% open rate and the mind reels.

Even still, I’m not sure I’m ready to start texting my own promotional messages or counsel my B-to-B clients to do it either. I guess I just have this belief that texts are personal and if someone has trusted you with their mobile number, you better darn well respect it—and that means not being too aggressive or salesy.

Nevertheless, when I’ve been on the receiving end of promotional texts, I have to say, they certainly got my attention. To date, none of them I’ve received (except for ones from blatant spammers) has annoyed me enough for me to block them. So from my own perspective, the tactic works well. I guess I’ll leave it at that; I agree that texting prospects has huge potential.

Whether I’m comfortable with it though, is another matter. I think I’ll stick to other means of reaching out and leave the nuclear option of texting off the table for now.

Why email is the print ad of today.

Let me begin by saying print ads used to be the industry standard—“Going to advertise? Great, let’s run a print ad!” But it occurred to me the other day while I was explaining my creative approach to a client, that emails have become the new print ad.

Don’t get me wrong, I love coming up with concepts and campaigns for print, but I’ve found that email marketing offers just as much opportunity for brazen creativity as print, while providing a whole bunch of advantages that print couldn’t touch with a 10-foot QRC code.

It’s time to give email marketing its due.

I have to ask, are you putting the creative firepower behind your email marketing that you should be? I know there are a lot of sexy social options dominating your attention these days, and I know video is red hot this year, but maybe it’s time you started seeing email as your new print ad, too:

  • Email is 40-times more effective at acquiring new customers than Facebook and Twitter combined, according to McKinsey & Company.
  • Businesses sending over 100,000 emails per month enjoy a 94% return on investment while those sending under 100,000 per month see a 139% return, according to MarketingSherpa.

More than a mainstay, email deserves the main stage.

Whether your purpose is lead generation, nurturing, announcing or informing—email offers advertisers priceless advantages, starting with incomparable targeting and ending with the benefits of being able to add links and interactive features. The best part is you turn a call-to-action into an action in email.

The smart companies put their money on email marketing.

Today’s creative standards in this medium are high, and it’s not just the big brands that are doing what it takes to stand out. Clients are spending a lot of money on production for original (un-stock) photography and illustrations. They’re incorporating video links. And they’re using animated gifs—some of the coolest things I’ve seen lately. It’s a testament to the fact that clients value the medium—and more importantly, they value the people on their mailing list.

Email vs. print from a creative perspective.

I use the same approach to come up with great concepts for emails that I use for print ads and the goal is always the same: to look for a great idea based on a simple, single-minded truth. The big difference is that in addition to the concept, headline, text and tagline, there are certain details with email that require careful consideration, and often creativity.

Email details worth paying attention to.

The best email marketing out there treats every element of the email with care and importance, realizing its function as well as its role in the overall impression it’s making in the context of your brand. Important email details include the subject line, preheader text, alt line, links, CTA (Call-to-Action) and from-line.

Make the most of your emails.

Your emails give you the ability to directly address prospects that you can be pretty darn certain are considering doing business with you or have done business with you in the recent past. Not only is that cool—that’s an opportunity you always want to capitalize on by doing interesting, creative work.

Ready for a new approach to your email marketing?

Contact me to talk your upcoming lead generation email, nurturing campaign or promotional blast.

Email details worth paying attention to.

The best email marketing out there treats every element of the email with care and importance, realizing its function as well as its role in the overall impression it’s making in the context of your brand. Below you’ll find a little pre-blast checklist of some things to consider before you launch your next lead generation email, nurturing campaign or promotional eblast.

From-line. Simple, right? You just put in your company name. Well, It’s not always that easy. First and foremost, it has to be clear who the email is from, so beware of abbreviations or from-lines that leave off an important part like what division of the company or product line you represent. Yes, it’s important to make it short and tidy, but make sure it’s clear so you don’t have to use the precious characters of your subject line to explain who you are. That way you can use your subject line to give recipients an irresistible reason to open your email. Also, as a branding note: keep your from-line consistent from email to email. You don’t want to be treated (deleted) as a stranger. Besides, it helps recipients who want to search for your email later on;)

Subject line: There has been lots said about how to write a compelling subject line and how many words it should be and just how much information you should impart. Let’s just say this: it should be honest, in that it doesn’t make people feel as though you tricked them to open it. If you have a great offer, give it up. If you have a compelling benefit, highlight it. Put the meat up front because a long subject line can get cut off depending on how people are viewing it; mobile is especially brutal. And avoid those salesy, spammy words and techniques, too.

Preheader text: If you use Gmail or Outlook you’ll notice the emails in your inbox have text following the subject line. This is preheader text, an additional opportunity to entice readers to open. When a recipient opens your email on their desktop, the preheader text shows up by default at the top of your email. Use it to deliver a perfect distillation of your offer or message. That way, even if they decide not to read your email, you’ll still have the chance to make your pitch.

Alt text: Most email programs don’t automatically download the images of your email. So what you get is an ugly empty box. You have to click the “download images” button to actually see the email in all its glory. It is the bane of every designer’s effort, but it doesn’t have to be a wasted opportunity. You still have the chance to insert a written message. Use it.

CTA: I.e., the call-to-action. Make it clear, make it distinctive, make it easy to find—but no matter what you do, make sure you get people to click and do something. Because that right there is the beautiful advantage to the print ad of today.

The most important email detail of all.

Great copy, of course. Remember you’re only a guest in your recipient’s inbox. So be interesting, for heaven’s sake, and they’ll invite you back.

I’m here to help.

Need a hand with that last detail, as well as the other little ones before, after and in-between? Email me, or call me at 917-664-1768.

How to keep the feedback loop from spiraling out of control.

It used to drive me crazy when clients would tell me, “I showed your ideas to my spouse, and…” Or “Let me get back to you, I just want to show the ideas around and see what people think.”

I’ve kind of come to grips with the fact that a lot of clients are going to show the work around and there’s nothing I can do about it. Truth is, having recently been in the position of being a client on my new website, I empathize with clients’ need to get 2nd, 3rd and even 10th opinions.

But copywriting, designs and creative work in general are fragile matter. When you bend deas to compromise to the crowd, they can lose their edge and become less effective. And conversely, when you skew it to satisfy an extreme opinion, it can end up missing the mark.

That said, I believe that there have to be some ground rules, or guidelines for showing the work around and reviewing the feedback—for the sake of the work, and everyone’s sanity. Here’s what I’ve learned from being on both sides of the fence:

Ask strategically.
Try to ask people in your market, or who at least understand your market. I mean, most of my friends would have a hard time telling the difference between a good ad for a productivity software or business service and a bad one. So make sure the people you ask know who you’re speaking to in the ad and what the ad is meant to accomplish.

Know when to say when.
Go on and get lots of opinions, but set an internal deadline for when you’ll put the pencil down. And try and define expectations by letting people know you’re asking lots of people. Do what my wife and I did when we were deciding on a name for our daughter: Say, “Yes, we’d love to hear all your suggestions, and we’ll carefully consider them with all the rest we collect, but you know, no promises.”

Discuss everything, and address every criticism.
When you have a bunch of conflicting opinions, you have to take the time to address them. Decide whether or not they’re worthy of concern. Then determine the most relevant.  Trouble comes from treating all criticisms equally or assuming the truth of an opinion based on the source.

A word to clients who are being ripped asunder by conflicting opinions.
When you show a bunch of different people creative ideas, you’re going to get a range of reactions. People have a natural inclination to be useful, so you can count on many of them having (overly) strong opinions. What can I say? People like to be heard. The long and short of it is you’re going to agonize. What can you do:
1) Collect your comments, and sit on them a day or two. Try not to be swayed by latest opinion you just heard. You’ll go crazy.
2) Talk the reactions over with your creative partners. Give them a chance to respond to the points individually.
3) Then, give the most weight to the comments from the people who are in your market or understand the problem best.

A word to the creative people.
Like I’ve said, I’ve mellowed over the course of many projects. I’ve had the most success by listening. I try to remind myself that I am there to help clients find the truth. Most of them are able to weed the relevant and useful comments from the extraneous and extreme. You can help them get there by listening and offering your honest opinion when asked. You want to stay in the loop, so you can respond and gain useful insights. So be a team player.

If you want to know what I think.
I’m here to help. Call or email me to discuss your copywriting project or get a quote anytime.

 

Whether you call it “discovery” or “research” – consider it an essential part of the copywriting process.

A few months ago I attended the AdAge B2B conference in NYC. One of the attendees, a marketing director at a small or midsized company, asked a question that befuddled the panel of agency luminaries.

She asked why every agency she came in contact with insisted on going through a lengthy discovery process of uncovering the company history, culture, etc., before actually getting to work. It was a fair question—and a familiar one to me as a copywriter. Clients are often surprised by how many questions I ask and the amount of background information I request.

Research or “the discovery process” is such a given on creative projects that the panel didn’t really know how to respond, and I don’t think she ever received a satisfactory response from the group. So I’ve taken it upon myself to answer her, wherever she is. Because the fact is, writing good copy starts with a lot of questions.

You have to dig for gold.

I believe that only through a thorough discovery process can you uncover killer insights and develop angles that will be fresh and interesting to your market. Otherwise you end up playing in the same old superficial, generic territory as everyone else—your competition included. To paraphrase famous designer Bob Gill a couple of weeks ago at HOW, if you want to come up with a great idea for a dry cleaner—you go spend a week at the store. You watch, you listen, you ask questions and learn everything you can.

You have to know the brand to write for the brand.

When you write for a brand, you have to “become that brand.” To do that, it helps to think of the brand as a character you assume. It’s hard to do that authentically without knowing everything about the brand, including its natural way of “speaking,” its values, personality and history. The only way you can do this without coming off as phony, is by reading everything that’s been written about it and talking to the real people behind the brand.

It’s not an indulgent, fact-finding exercise.

It’s important to arm your copywriter with the facts and real insights.  To write effectively, copywriters need to know what they’re talking about. When you’re B.S.’ing, it shows in the jargon and generic, boring copy. Worse yet, it can show in inaccuracies that will turn off prospects. Plus, the more a copywriter knows, the more they are inspired to venture into new territory in developing copy that gets people’s attention, communicates real value and is memorable.

Practical tip #1 – Interview

When people explain themselves verbally, they do it in an honest, natural tone. In a one on one conversation, people take the time to give examples, to speak in understandable terms, they edit less, they don’t overthink, they just answer. I can’t tell you how many times a client will say something once and nail it (and never be able to repeat it the same way).

Practical tip #2 – Ask everything

There are no stupid questions. Ask the basics, like where is this ad going to run and when and what your past advertising efforts looked like. Also ask the not-so-basics. For example, I often ask clients to break down how they provide their service to their clients. Then I listen carefully for interesting and differentiating details about what they do.

Practical tip #3 – Avoid burnout by splitting interviews into sessions.

I’ve found that two hours is about the longest you can go before interviewees start repeating themselves and the one-word answers begin. So I recommend splitting interviews for large projects like complex websites into two or three sessions.

Practical tip #4 – Keep ’em separated.

If you need to talk to more than one person at a company, only interview one person at a time. People will be less inhibited, and you’ll get better answers.

Practical tip #5 – Don’t do a survey.

Interviewing in person is much better than providing clients with a form to fill out. Forms allow cutting and pasting, a rehashing of the same-old same-old. People become self-conscious about how things are written which makes things sound businessy—and they edit out points they think are trivial or too personal. Ironically, this is often the good stuff that differentiates them and prospects will find endearing.

Practical tip #6 – Smile for the recorder.

It’s best to record the interview, but I type notes as I go—just in case there are any technical glitches. My preference is to do interviews over the phone. I use Freeconferencecall.com, which gives you a record option (free of course).

Practical tip #7 – dealing with the please-don’t-use-this’s and I-don’t-want-to-go-into-that’s.

Clients often catch themselves during interviews in this way. I understand. And I always assure clients that they’ll have the final word before any of the things they say are published. However, one of my jobs is to push clients out of their comfort zone. Let’s face it, clients don’t hire a creative writer like me to take dictation. My advantage coming from the outside is that I don’t have the biases that prevent clients from seeing themselves as they really are and really could be.

Avis provides a classic example.

I’m sure the executives resisted coming out and telling people “When you’re only No. 2, you try harder.” But that was the tagline that changed everything for them. It was believable, compelling and endearing all at once. Exactly why we dig deep for truths in the discovery process.

Questions are the answer.

It’s very hard for clients to expand or shift their perceptions of themselves. There’s doubt and bias every inch of the way. But I’ve seen it time and time again: if you’re willing to go where the “discovery process” takes you, new ideas will come from it that can lead to unique positioning and copywriting that your prospects will notice.

If you’re up for a little interrogation and want great work, I’m up for helping. No question. Just call 917-664-1768 or email me.

 

 

Give your website’s About Us page a big guy look.

Make a great big impression with an About Us page that tells a story. 

When you’re 5’7” or so, it sometimes helps to know a few tricks for making yourself seem more imposing than your height allows you. Years ago, my friend Scott came up with a simple solution for when he was driving in questionable neighborhoods. Half-kidding, he demonstrated the “big guy look” to me one day after cutting off a fellow California driver. “Check it out” as he slid six inches up his chair so that his noggin was jutting above the headrest ridiculously. He puffed out the shoulders of his jacket to complete the effect. From the back he probably looked 6’10” and 250 lbs.

If only it were that easy to create an About Us page that could pump up your own organization (without deceiving anyone in the process.) I encounter this challenge all the time when writing websites. What follows are a few pointers for how to portray your outfit as an impressive, cohesive team when the reality is that your numbers aren’t what you wish they were.

Accentuate your positives. My goal in writing an About Us page is to shift the focus to the philosophy, history and ethics that define the organization, rather than the number of people they have on staff or the employment history of the leadership.

Tell a story. Avoid roster deficiencies and talent insecurities altogether by not creating an About Us page that reads like a resume or is comprised of a stack of bios. Instead tell a story. That’s what people read an About Us page for anyway—to know how you got where you are, what experiences influenced you and what values make you so uniquely qualified to satisfy their needs.

Find an interesting hook. Here are a couple of examples from sites I’ve written recently:

  • For Memoriis.com, I told the story of the two founding brothers whose revelation during a family vacation inspired their company.
  • With TownhousePartners.com, I focused on how the partners’ love for analysis led them to start up a boutique due diligence firm.
  • For a third company, I crafted a story about the founder and environmentalist whose urban lifestyle inspired an unprecedented tree care service.

Don’t try to say everything. Just tell what’s important to the story and necessary to demonstrate your organization’s exceptionality and leadership.

“We” versus “I”. If you’re small and have part-time partners you work with (e.g., an admin, accountant, IT person or a copywriter like me) consider using “we” instead of “I”. Why?  It inspires confidence and makes you sound like you’ll be more fun to work with.

Make it an “About You” page. That’s right. I know it’s supposed to be an “About Us” page, but don’t think for a second that readers are on your site for you. It’s always all about them. Tell them how you became the company you are in order to better serve people like them. (It’s true, after all—right?) Be selfless and generous in your About Us page and you’re sure to look like a big guy to your prospects.

Hope this helps, and remember if you need website copywriting that’s big on brand messaging, I’m here to help. 

Crank out ideas by the bucket.

My time-tested approach for coming up with lots of ideas in a short time frame.

You know, there as a time not too long ago, when clients would actually give you two weeks to come up with concepts for an ad. Yup. One ad, two weeks. These days, you’re lucky if you get two days to work on a banner ad or an e-blast.

I’m not complaining, like most, I’ve accepted the reality and learned to excel with these new parameters. So how do I come up with a ton of good ideas in a super short time frame – and more importantly, how can you?

It’s all about coming up with strategic buckets that guide your thoughts and speed your creative process. Here’s how it works:

  1. Create strategic buckets. Think of all the key messages you could communicate. Write down every one that comes to mind. If your project is a B-to-B ad, your buckets might look like this: “saves you time,” “saves you money,” “we have great customer service,” “we’re experts,” and “we’ll make you look good.”
  2. Get your buckets in order. Prioritize them.
  3. Check your time. When’s your project due? How much time does that give you for ideation? 30 hours? 20 hours? 2 hours?
  4. Decide how many you can conceivably do. Each bucket deserves at least 2 hours. On an ad or campaign, I try to spend at least 3 hours on a bucket, although sometimes I have as little as half an hour or as much as 10 hours.
  5. Time to work. Develop ideas for one bucket at a time allotting a set amount of time for each one.
  6. What about the “coming up with ideas part”? Your job is to find alternate ways of communicating the bucket’s idea. Try it from every angle you can think of. Don’t just do slight rewordings, try visual approaches, metaphors, let your mind go.
  7. Stay fresh. I often use a timer to limit myself to an hour per bucket. That forces me to set ideas aside and come back to them with a fresh mind.
  8. Keep moving. Move to the next bucket when your allotted time is up or when you hit a lull. Hey, sometimes a bucket just ends up being a dog. It’s a waste of time to force it. So write down what you can—even if they’re bad ideas—and come back to it later.
  9. Make the hardest part choosing the best ideas. The biggest benefit of using this bucket approach is that you end up with a wide range of options—never a bad thing.

If you have an ad or campaign coming up, why not give this technique a try? And if the well runs dry for whatever reason, remember I’m here to help. Just call 917-664-1768 or email. 

Why won’t you let me read my copy to you?

It’s important for copywriters and designers to present their work in person (or over the phone anyway.)

I encounter almost universal resistance to presenting my work to clients. And just so you know, when I say, “present” I mean read my copy aloud to you over the phone as opposed to just emailing.

I think I understand why. Maybe you don’t want to be rushed or feel like you’re being “sold.” I get it. That’s why I don’t push it when you insist to just email it.

But I do believe that it is better to present, and here’s why:

  • Ideas are fragile things. And it’s silly to risk an idea being killed just because of a misunderstanding that could easily be cleared up in person.
  • The copy I’m presenting is almost always out of context. In other words, there are no pictures or sound effects (in the case of radio). I can help you visualize the concept if I’m there to explain it.
  • My work can’t defend itself. “Ah-ha,” You’re thinking, “But it should stand alone.” Not really. It’s possible to nitpick any copy to death, no matter how good it is.

How I present my work in a best-case scenario.

  • I set up a meeting in advance. I try to get somewhere between 20 minutes to a half hour to present a print ad or a landing page. For a website, I need about two hours. And for radio, video or TV, about an hour.
  • I do email the copy fifteen minutes or so before our meeting so you can print it out – but no peeking. I know this seems infantile, but trust me, it leads to a much more productive meeting.
  • I explain the reason for everything I’ve written, and then I read every word to you.  Is this necessary? Yes. If the copy is important, which it always is (said the copywriter), then we should go through every detail.
  • Afterwards, I take your comments. And that’s it.  If you want to think things over and get back to me, that’s fine. At least now you have the context and the details to make good decisions.

Try it this way on your next project, and see what a difference it makes. And if you’re looking for a writer who likes to read, shoot me an email. 

 

 

 

 

 

 

 

World’s Best Subject Line – Part 1

Learn to write email subject lines that readers can’t resist.

If you’re like me, you probably strain over what to put in the subject line of your e-blasts. You ask yourself:

  • “What will compel people to open it and not delete it?”
  • “How do I make sure my email passes safely through spam filters?”
  • “Is there anything I can do to make sure people know it’s from me and not some freak in a dingy back room in Karachi?”

Your subject line, and your attribution line—you know, the “from” of your email—are worth straining over. Because if that adage “if they don’t read your headline, they won’t read your ad” is true for print (and it is) it is 100 times truer with subject lines.

In the case of subject lines, the listless, the over-hyped, or too-familiar end up being trashed before they even have a chance to become an email—or worse yet, they spur people to opt out or tag everything from you as junk.

Let’s not let that happen. Here are some tips I’ve learned from writing emails for the likes of Audible.com, CENTURY21, and the Thinking Creatively Conference.

  • Keep it to 69 characters (including spaces)
  • If you have to go over in characters (long subject lines display, but not as well) put the important stuff first.
  • Don’t be redundant; put your company name in the “from” line and don’t repeat it in the subject line.
  • Try packing a benefit to your recipient in the subject line
  • Action verbs are best, e.g., learn, see or start.
  • Rather than writing a general line about all the great stuff inside the email, highlight one exciting detail.

I could go on and on about subject lines, but I’m going to save something for next post. Stay tuned for part 2.

Subjectively yours – Conrad

World’s Best Subject Line – the Exciting Conclusion

How to write subject lines that draw readers in deeper. 

Hope you had a relaxing Memorial Day – and didn’t check your emails too much. Okay, maybe just the ones with the really great subject lines.

Speaking of which, here is the follow-up to Part I of my list of tips for writing subject lines that land in computers and smart phones with irresistible appeal, interrupting quiet walks with your tablet on the beach, luring BBQ-goers off to a quiet corner to read their iPhone, and providing welcome distraction to drivers gridlocked in holiday traffic (only when you’re at a complete stop, now.)

Take a look, and please let me know what you think.

  • Focus on expressing a clear idea and don’t worry about writing a complete sentence.
  • If your email is part of a series, make all the subject lines distinctly different. You don’t want anyone thinking you’re sending the same email you already sent.
  • Feel free to tease; give just enough away to entice without giving away the story.
  • Be honest. Make sure your email is related to the email content. No one likes being tricked.
  • Avoid spammy words like free, save and money. If your email service is any good, it will flag the “dirty” words for you.

Lastly, take a chance and do something interesting. With the amount of email people get these days, you have to. And if you need help coming up with subject lines or writing of another kind, remember I’m here to help.